Javier Marías at Threepenny Review:

In the theater nowadays, it’s almost impossible, regardless of whether it’s relevant or not, to escape (a) hysterical, meaningless dancing, perhaps so that the audience can enjoy some “physical movement”; (b) a more or less “savage” or vaguely medieval scene, along the lines of some kind of revelry or peasant hoedown, or a lynching perhaps, or a gang rape, or a bit of group cannibalism—and whichever option they choose, none of them impresses or seems remotely believable; (c) somersaults, pirouettes, and juggling with a bit of mime thrown in, and there’s nothing I loathe more than mime and juggling (no need, I hope, to explain why).

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